While it never quite hits the heights of “Heavyweight”, it’s a very solid track nonetheless. Both tracks utilize an electric guitar solo, rising chords and an epic feel to the melody across its 9 minute run-time. The midway point switches things up beautifully with a deliciously psychedelic breakdown and a swiveled funky groove to close the song out with.įrom here, the album keeps with that same theme of head-bopping grooves with “Only Solutions” before “Ani Mevushal” hits, which feels like a spiritual successor to “Heavyweight” on Vicious Delicious. The simple piano motif forms the foundations for the track that follows as the vocals and layered backing instruments stick to the same notes throughout but bolster out the channels with a wide array of instruments. Much like in previous albums, Infected Mushroom kick things off on the front foot with their opening track, this time in the form of “More Of Just The Same”, a track worked in collaboration with WHITENO1SE. These feel much closer to the pair’s offerings on Violent Delight while the remaining 3 tracks lean heavier into the trance-side of things but never quite hit the same stride the early tracks manage to achieve. Unfortunately More Than Just A Name feels like a top-heavy production, with “More Of Just The Same”, “No Line in Midi” and “Ani Mevushal” arguably the strongest tracks on the album and overshadowing everything that follows. In some ways this actually succeeds to do just that, with some great tracks front-loaded on the album. The latest 2020 album from Infected Mushroom feels like a conscious effort to try and merge both these styles together a bid to please old fans and new to reproduce the goods that made the two aforementioned albums so good. Both The Gathering and Violent Delight signify the high peaks of this Israeli duo and going into More Than Just A Name, that’s worth bearing in mind. The opening track “Release Me” uses samples from Independence Day incredibly well and as an opening track, hits the right notes and sets up a musical journey into the depth of psy-trance bliss. The earlier work of the duo, including 1999’s The Gathering, leans much heavier into samples and trance beats, with a side-order of acid-house for good measure. The combination of instruments, the epic build-up of tracks like Heavyweight and Vicious Delicious along with some really smart compositional work make it an album that successfully blurs the line between psy-trance and rock, delivering the best of both worlds across its run-time. Violent Delight remains one of my favourite albums of all time.

Infected mushroom heavyweight cover